The Unveiling of "Ephemeral Blossoms": A Journey Through Chinese Painting Techniques

The Unveiling of "Ephemeral Blossoms": A Journey Through Chinese Painting Techniques

Brief Introduction

"White-headed Bulbul on Bamboo" is a classic Song Dynasty painting. Song Dynasty bird-and-flower paintings typically use the "hook and dye" (gou ran fa) method, with lines that are often so fine they're almost invisible, and colors applied with multiple washes. However, this painting is notable for its excellent use of lines, especially the strong and firm lines of the bamboo branches and leaves. It depicts a pair of white-headed bulbuls resting on green bamboo after a snowfall. The colors are meticulously applied, and local details are very clear, making it an excellent model for beginners to copy Song Dynasty paintings.


 

Step-by-Step Guide

 

 

Step 1: Outlining

 

Use the central-tip brush technique (zhong feng xing bi).

  • Use dark ink to outline the bamboo sections, the bird's beak, and the stiff feathers.

  • Use medium ink for the bird's back.

  • Use light, dotted lines for the bird's chest and belly.

When drawing the bamboo:

  • The lines for the bamboo should be slightly faster.

  • Pay attention to different brush techniques for the beginning of the bamboo leaves: some start round and end pointed, some start square and end pointed, and some use the reverse-tip stroke (ni feng xing bi).

  • The tips of the bamboo leaves can be drawn quickly, but avoid weak or floating lines.

  • The bamboo branches mostly use "iron-wire" lines (tie xian miao), but there are many variations in the starting and ending strokes, so pay close attention when copying.


 

Step 2: Initial Coloring

 

  • Background: Apply a light wash of light ochre-yellow water (ochre + gamboge + a little ink) over the entire background.

  • Front Leaves (positive side): Apply a flat wash of grass green from the base, blending it out towards the tips. Then, use light ochre to wash from the tip towards the base, covering about one-third of the leaf.

  • Back Leaves (reverse side): Apply a flat wash of light ochre color.

  • Snow on Leaf Roots: Apply a flat wash of white, then lightly narrow-dye the area.

  • Old Stems: Apply a flat wash of ochre.

  • Middle Stems: Apply a flat wash of grass green.

  • Tender Branches: Apply a flat wash of ochre-yellow.

  • Bird's Head Markings: Apply a flat wash of light ink.

  • Flight Feathers, Coverts, Tail Feathers: Apply a general wash of light ink.

  • Back and Loin: Also apply graded washes (fen ran) with light ink.

  • Bird's Chest, Belly, and White Patches on Head: Apply a flat wash of light white powder, then use light ochre-ink for graded washes.

  • Eyes: Apply a flat wash of light vermilion.

  • Claws: Apply a flat wash of light indigo.

  • Beak: Apply graded washes with medium ink, focusing on the center line of the beak.


 

Step 3: Further Layering and Detailing

 

  • Background: Apply another wash of ochre-yellow water over the entire background, except for the bird's chest, belly, and white patches on the head.

  • Bamboo Leaves: Continue with graded washes of ink-green. At this stage, be careful to preserve the shape of the snow accumulation at the base of the bamboo leaves.

  • Reverse Leaves: Use light ink for graded washes from the base towards the tip, leaving water lines (shui xian) on both sides.

  • Bird's Head Markings: Use dark ink for graded washes.

  • Bird's Back: Continue with graded washes with medium ink, then apply a very light wash of ochre-ink over the entire back.

  • Flight Feathers, Coverts, Tail Feathers: Use a small brush with medium ink to carefully apply graded washes to each feather.

  • Chest and Belly: Apply graded washes with light ink, then use light white powder for graded washes from the bright areas of the chest and belly towards the darker areas.

  • Eye Socket: Draw a light ink-ochre line along the inner rim of the eye socket.

  • Old Trunk: Use ink for graded washes around the knots.

  • Middle Stems: Use indigo for graded washes around the knots.

  • Tender Branches: Use light ink to highlight the knots.


 

Step 4: Final Details and Texturing

 

  • Bamboo Leaves and Branches: Apply a wash of old grass green. For areas where the lines are blurry, carefully re-outline them with medium ink.

  • Dead Bamboo Branches: Apply a flat wash of ochre-ink, then re-outline with ochre color.

  • Front Bamboo Leaf Tips: Use ochre-ink to highlight the tips, then use light indigo to outline parallel veins.

  • Reverse Leaves: Carefully outline parallel veins with light ink.

  • Bird's Beak: Apply another graded wash with medium ink, then re-outline the center line of the beak with dark ink.

  • Bird's Flight Feathers and Coverts: Apply a general wash of medium ink, then use dark ink to add feather texture (si mao).

  • Bird's Chest and Belly (dark parts): Use ochre-ink for feather texture.

  • Bird's Back: Use medium ink for feather texture.

  • Bird's Chest and Belly (bright parts) and White Patches on Head: Use thick white powder for feather texture. The transition between the bright and dark areas of the chest and belly should be natural, and the feathering can gradually become sparse.

  • Bird's Claws: Apply a flat wash of ink-green, then use a small brush with indigo to draw the scales and dots for the raised parts, and use thick white to highlight the tips of the claws.

  • Inner Eye Socket: Use ochre-ink for graded washes from the surroundings towards the center, then dot the pupils with scorched ink (jiao mo).

  • Feather Shafts: Use grey (white + light ink) to outline the feather shafts.

  • Leaf Tip Lines: Re-outline with ochre-yellow.

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